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    • Linda Carey
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    • Jeremy Long
    • Amy MacLennan
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    • Megan Williamson
  • VITAE
    • MPG VITAE
    • Linda Carey
    • Glen Cebulash
    • Deborah Chlebek
    • Tina Engels
    • Timothy King
    • Lynette Lombard
    • Jeremy Long
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    • Michael Neary
    • Janet Niewald
    • Bill White
    • Megan Williamson
    • Philip Hale
    • Ron Weaver
  • STATEMENTS/BIOS
    • Quick Look
    • Linda Carey
    • Glen Cebulash
    • Deborah Chlebek
    • Tina Engels
    • Janet Niewald
    • Timothy King
    • Lynette Lombard
    • Jeremy Long
    • Amy MacLennan
    • Michael Neary
    • Bill White
    • Megan Williamson
  • ABOUT
    • ABOUT
  • PRESS
  • EXHIBITS
    • MPG & Guests: Self-Portraits >
      • Self Portraits: Dutoit Gallery
      • Self Portraits: Taubman
    • East Meets Midwest II >
      • East Meets Midwest II: William & Mary
      • East Meets Midwest II: Springfield Museum of Art
    • A Winters Work
    • Of Color and Rhythm
    • Homage to Jean Helion
    • Realism & Its Discontents >
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      • Manchester
    • The Figure >
      • The Figure: Kansas City
      • The Figure: Ithaca College
      • The Figure: Tulsa
    • Pride of Place
    • East Meets Midwest >
      • East Meets Midwest: Chicago
      • East Meets Midwest: St. Louis
      • East Meets Midwest: New York
      • East Meets Midwest William & Mary
    • Works From Perception >
      • Sheldon Swope
      • The Albrecht-Kemper
      • George A. Spiva
    • New Works, Rose-Hulman
    • Post Abstract Figuration
  • CATALOGS
    • Twelve Ways to Look at a Painting
    • Realism PDF
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    • CATALOGS
  • CONTACT
  • GUEST ARTISTS
    • Stanley Lewis Retrospective Slides
    • Stanley Lewis Univ Tulsa
    • Bob Brock
Picture
Linda Carey (Virginia)  curriculum vitae
“I have traveled in Italy over the past decade and much of my work is my response to the timeless Italian landscape and painting legacy. I refer to myself as a painter, though my medium is primarily chalk pastel. The densely constructed color interactions of my pastels are what push them beyond drawing. Over the years, my appreciation for the idiom of pastel.the luminous glow of the pure unbinded pigment; the way it is drawing and painting at the same time; the smoky, dirty smudges against a crisp, hard line.has intensified. I have experimented in recent years with many different surfaces and methods, and feel I am still discovering the possibilities of the medium. My paintings are a record of my struggle to order and harmonize the image while constructing a convincing impression of space, form and light. My hope is that in the end, each pastel painting reaches a point of formal resolution and speaks to the mystery of human perception and memory."

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